Today’s inspiration is from Mo Daley and Tracie McCormick, who have challenged my writing group to write a Ghazal – 5 to 15 couplets, refrains of 1-3 words in the second line of each couplet, with the word prior to the refrain the rhyme scheme word.  And today, I go back on contract – – back to work!  I’m looking forward to our Literacy grant and all of the possibilities for our students. 

I’m Going Back!

since March 13th, we’ve stayed home: Covid 19
four months and one week later – today – I’m going back!

today begins a new chapter: 2020
new challenges and opportunities I seek – I’m going back!

we’ll mask up and sanitize all the way to ‘21
cautiously distance and crowdsurvey peek – I’m going back!

will outings be safer in 2022?
surely by then we’ll be past the peak – I’m going back!

my 5-year grant term will close in ‘23
I stand boldly with literacy, cheek to cheek – I’m going back!

Today’s inspiration came from Mo and Tracie, writing buddies at ethicalela.com, who chose the ode as today’s writing form. 

Ode to the Girls’ Getaway

Girls’ getaway, you take me to NEW PEAKS –
Blood Mountain, where Appalachian Trail hikers fling
worn victory boots across tree branches at Neel Gap,
creating a collective celebration canopy

Girls’ getaway, you take me to NEW CREEKS –
Wolf Creek, where the tranquil trickle of water
braves the rock rapids by our picnic table, laden with an
eclectic assortment of shared QuikTrip snacks

Girls’ getaway, you take me to NEW BYWAYS –
roller coaster hairpin turns, where scenic panoramas
resplendent with art shapes in the earth and clouds
invite us to spy fire-breathing dragons and Indian maidens

Girls’ getaway, you take me to NEW HIGHWAYS –
connecting veins that turn a Honda CR-V into a whitewater
adventure down back roads to Three Sisters Vineyards
where we stop, admire, and savor the taste of the hillside

Girls’ getaway, you take me to NEW LODGES –
Lily Creek, a hobbit-style European cove
with rounded latched doorways and log ceilings,
rustically absent of all toilet paper, soap, TV, and wi-fi

Girls’ getaway, you take me to NEW STODGES –
lobster ravioli at Grapevines, where splitting an entrée
and uncorking a bottle – clinking cheers! –
with sisters is always on the menu

Girls’ getaway, you take me to NEW SHOPS –
stores with spinning sticker displays, perfect
for my planner, proclaiming my travels
like so many bumper-stickered hippie vans of the 1970s
…..and…….
Girls’ getaway, you take me to MORE STOPS – 
new boots, a $29.99 clearance steal

Girls’ getaway, you take me to NEW CHAIRS –
plush perches for pajama’ed pals,
where we sit sipping sparkling sangria
and sharing aloud from our current books:
our adhesive

Girls’ getaway, you take me to OLD TOWN SQUARES –
places of ghostly wonder
about historic brick sidewalks and buildings,
of delectable discovery in hidden cafes where
absolutely! we’ll have dessert, too!

Girls’ getaway, you take me to NEW TREEHOUSES –
where a carelessly flung donut during early
morning writing brings fears of bears and
shivery scares at the rustle of leaves beneath

Girls’ getaway, you bring me home to NEW ME HOUSES –
ironic twists of friendship trips
where I discover that in building my sisters,
I build me

Today’s inspiration comes from Mo and Tracie, writing buddies at ethicalela.com, who chose the Rondeau as today’s form.  A Rondeau has nine lines (or can repeat a sequence for more lines) with 8 syllables per line except for the refrains, which have 4, and an AABBA, AABArefrain line sequence. 
Inner voice 
mountaintop treehouse, pen in hand
high atop trees like a deer stand
tasted a donut, threw it down
thought, “oh no!” as it hit the ground
what if bears inhabit this land? 
climbed back down into Wi-Fi band
downloaded prompt: for gold I panned
climbed back up, set my writer’s frown
“retire here and…”
mountaintop sunrise: ain’t life grand!?
writing footprints left in this sand
high in north Georgia, each new sound
awakens senses all around
flames of north Georgia passion fanned
“retire here and….”

It’s the Real Thing

brick wall-fenced back yard
oval daylily bed
looping two tall pines
monkey grass border
trampoline from grandparents
for jumping with friends
between bike rides
rabbit hutch
that didn’t last long
carpeted thick centipede
for running barefoot
post-nailed chalkboard
for playing school
stolen chalk from church
disk tree swing
where we sang the Coke song
“it’s the ree-yal thang,”
spinning in circles
fig tree
for making “strawberry pigs”
picnic table
for scraping scales, cleaning fish
a place to grow up
to sit outside with Bridgette,
our Schnoodle
and plot my next moves
First Baptist Church pastorium
at 208 Martin Street
St. Simons Island, Georgia
carefree island childhood

A prompt from Voices: The Final Hours of Joan of Arc by David Elliott

Inspiration:  InVoices:  The Final Hours of Joan of Arc,David Elliott uses a series of poetic forms to tell the story of Joan of Arc.  At the end of the book, each poem is categorized according to forms that include Rondel, Short Rondel, Sestina, Villanelle, Ballade, Rondeau, Rondeau Redouble, Rondelet, and Triolet.  He also uses Free Verse.  Elliott’s approach to telling the story of Joan of Arc through a series of verse forms is creative and fascinating!  

Motivation:  Think of your favorite author, and do a little research on his or her life.  Use book titles, biographical information, awards, excerpts, or any other aspects of his or her life to create a verse tribute (or at least one of your top 25).   
Challenge:  Below is a link that contains 100 poetic forms from which to choose – just to widen your variety of choice. 
Write! Raise a Glass to the Literary Avant Garde by writing a verse that shares a glimpse of your favorite author.   
If you choose to write a Rondel, the format is:
13 lines in 3 stanzas (4 lines, 4 lines, 5 lines) with 8 syllables per line, and a rhyme scheme of
ABba/abAB/abbaA, with the upper case letters used as repeating lines
Mentor Poem:
“The Cattle,” a Rondel by David Elliott
What did she hear that we did not?
What was that faraway look in her eye?
The unthinking steps, the mournful sigh,
this girl unstudied and untaught,
trapped as if she’d been caged and caught
like a fledgling lark that is longing to fly.
What did she hear that we did not?
What was that faraway look in her eye?
Was it love, with its tender, unknowable knot,
or madness chanting its lullaby
out in the meadow beneath the blue sky?
Was she enraptured? Or was she distraught?
What did she hear that we did not?
          -David Elliott
Kim’s Rondel celebrating David Sedaris through the rearranged words of his book titles (Title words are capitalized)
A Fevered Barrel of Sedaris on Ice
Family Holidays On Ice
Talk Pretty Naked all the while
Barrel Fever, Calypso-style
Explore By Finding Theft in spice
One Day Let’s Dress Your Owls and mice
Squirrel Seeks a Chipmunk to beguile
Family Holidays On Ice
Talk Pretty Naked all the while
Corduroy And Denim entice
Engulfed In Flames but not denial
With Diabetes walk a mile
When You Are With Me, life is nice
Family Holidays On Ice

Dream Crossovers

How does the timing of a dream
cross over into reality?
How do I just happen to have
been outside in a park
for a long time, people watching –
watching a grandmother and
her little granddaughter
romping around in a new dress
with little lacy fold-over socks
the same kind I used to wear with
patent leather Mary Janes when 
OH NO!
The grandmother sees a bug on one
lacy sock and bends down to get it
so I run to lean in and have a closer look
when the grandmother grabs it
by the back legs and holds it up.
“It’s a tick!  The little ones carry
Lyme disease, but this is a big one.
See?”
She controls the panicking tick
its legs in four wheel drive 
doing all it can to escape
while
the little granddaughter is watching
in wonder at the scrambling tick
intent on observing it so she can maybe
identify ticks in the future
when the tick gets away and
scurries quickly onto my sleeve and runs
up my arm, past my shoulder and into my hair and
I FEEL IT!
hit my head with a thud, so
I WAKE UP FOR REAL 
and hear and see
a winged flying something hitting
the hotel walls in the corner above my head, all
discombobulated and in a state of panic.
So I lie here wondering
#1. How did my dream know to start building toward
real and physical contact with a dream bug
before the hotel bug hit my head?
#2. I’m not letting these real
bugs into my dreams here again.  
The coffeemaker was nasty, too, and there
was a winged bug in my coffee cup
and what I
wanted from the Reid Ridge Lodge in
Blue Ridge, Georgia was the 
rustic atmosphere
of a would-be lodge, but not the
authentic risky kind
like Thoreau or Emerson would sleep in
without pest control
and that is why I didn’t stay upscale.  
note to self: check 
under seat rims of toilet
and ceiling above shower 
before starting 
the day

Today’s writing was composed at the Blue Ridge Arts Council’s Communal Pen workshop. 

My Kitchen

My kitchen has deep roots
grown from the women before me.
My kitchen is from the
Eunice Sands Jones kitchen –
where three meals a day on the farm
were cooked and never
a wayward crumb or utensil out of place.
And always, always
An ice cream sandwich in the freezer
Just for me
Except one time when I didn’t hug
Her hello first.
I never made that mistake again.
My kitchen is from the Georgia Lee Harris Haynes kitchen-
Where I was just as likely to find
A random wooden spool of thread
Or a half-filled book of S&S Green Stamps
Or a stray chess piece or
A spent tube of toothpaste as I was to find a fork
To eat the
Always, always
Five-layer chocolate cake under the silver metal
Cake lid, dented like a Goodwill castoff
Surrounded by empty plates
Sitting in a sea of cake crumbs
Where I secretly picked off only the
Hardened frosting,
Sinking my back teeth into it
To savor its sugary-gritty sweetness,
hear its grinding in my ears.
My kitchen is from the Miriam Ruth Jones Haynes kitchen
seasoned with torn-out recipes from
Southern Living and Good Housekeeping
A mostly-matched set of dishes,
Geometric avocado designs along the plate rims
And an oversized set of wooden salt and pepper
Shakers, the grinding kind
For peppercorns twisted fresh, and
Always, always
Boxes and boxes of breakfast cereal
Not only for breakfast
But also for building a fortress hiding wall
For my growling baby brother
Who sat watch in his high chair
To catch anyone looking in his direction
My kitchen is the Kimberly Lynn Haynes Johnson kitchen-
Adorned with cherished framed handwritten
Recipes from each of my grandmothers
and my own late mother-
A penciled sketch of an old stove I imagine
Looks just like the one from Truman Capote’s
Christmas Memory where he made
Fruitcake with Aunt Sook
And a drawing of a wooden rolling pin I imagine
So many women wanting to use for reasons
Other than rolling pie crusts
through the years
My kitchen has some patterns of order in the chaos and
Always, always
A coffee can because the disposer is broken
And the unexpected beauty of discarded cucumber slices
Squeezed lemon rinds, potato peels, and bites of
Buttered raisin bread that
Survived the dogs, peach pits and
Watermelon seeds creates a layered work of heart
(Like a child’s sand art creation
Before it gets shaken),
Its contents destined
For composting,
Reincarnating for further purpose and surely
Cycling back to the kitchen coffee can again in a future
Generation of food.
My kitchen is a farmhouse recipe, blended and baked
From kitchens before mine, a
Lingering aroma of love that transcends time.

Today’s writing was completed as part of The Communal Pen writing workshop held at the Blue Ridge Arts Council on July 11, 2020.
The Sears and Roebuck Wee Alert
My baby brother –
five years younger and
I knew he was a problem
the day they brought him home
to the pastorium.
The early signs were there
in so many ways, but none
more so than in his enuresis;
he was a full-fledged bedwetter,
and my parents grew more and more
concerned with his disorder.
Our grandmother
a lifelong Sears and Roebuck
catalog sales representative
suggested the Wee Alert,
and it wasn’t from the Wish Book
but from the more serious
thick catalog I used
as a booster seat.
They bought it for the standard
twenty percent employee
discount.
We hooked him up before bed
and honestly I was scared for him
when I saw all the wires.
Sure enough, it didn’t take long.
The wee alert awakened
everyone in the house
except for the bedwetter
who snoozed on in his
self-made pee pool.
There we stood
tousle-headed and groggy-eyed
in our pajamas
in his room
littered with Matchbox cars
and Little People
who knew the family secret.
We tried every hype and gimmick
-even combining prayer and
voodoo rituals-
but what we tried to undo
he simply outgrew.
Today at 50,
he’s still the only sound sleeper.
The rest of us wake to a whisper,
compliments of the
Sears and Roebuck Wee Alert.

Barnyard Concert at Dusk
stadium of tiered strains
crickets getting on key
off-key bleating goats
sound-boosting rooster straining in
heckling-cackles from the hens
melodic symphony of songbirds
grunty strumming backbeat pig
headbang-drumming woodpecker
string-section grasshoppers’ lilting cadence
high-trilling tree frogs
windchimes ring  
porch swing chain keeping tempo
as we sway
to this cacophonous
harmonious
sunset serenade

The Heart of Belonging

if you’re driving along Highway 441
in north Georgia
admiring the mountain views
and happen to think that
out of the corner of your eye
you just caught a glimpse
of a goat on a roof
turn around immediately
and go back
at first glance, this is 
nothing short of alarming

you’ll want to call the fire department
to send over the ladder truck
like people do for kittens stuck in trees

but as you’re plotting a way
to not sound like a prank caller
you’ll see the sign 
GOATS ON THE ROOF
are realize that you really did see them
and they’re supposed to be up there
“but,” you’ll self-argue,
“they’re notsupposed to be there
nope, goats don’t belong on a roof,”
you’ll keep thinking

which is the whole point
you’ll get out and take in
the whole country store
stocked with jams, jellies, ice cream,
boiled peanuts, t-shirts, 
photo opportunities,
and goat souvenirs
you’ll buy a handful
of goat food and pour it
in a yellow crane bucket
and bicycle-pedal it
to the rooftop and 
dump it in a little trough 
for the hungry goats waiting
to gobble it up and
then you’ll
rub your chin and wonder,
“did they really just
smile at me for more?”

they’ll trip-trap
across their suspended rope bridge
and do their head-butting
sibling-style goat play
to entertain curious
mind-blown tourists
like those boxing hares
you watch on YouTube

yep, the roof goats know this business
my brother Ken and I
earned our official
goat ranger shirt stickers
by feeding the
rooftop ruminants
and eating their ice cream
one recent summer
who says goats don’t belong on a roof?
who says it’s too late for
middle-aged adults to re-live
their youth and earn
official goat ranger stickers
they missed back in the 1970s,
like a skipped-over scout badge?
belonging is rooted in the heart
of the roof dwellers

if ice-cream-cone-licking
out-of-place tourists
lured to pedal food
in a yellow crane
to rooftop goats
belong
in memory-making roadside
attractions on a mountain 
highway

then
why don’t goats
belong
on a roof?