I’ve been reading Kyle Vaughn’s Lightning Paths: 75 Poetry Writing Exercises, which inspired me to delve into another book study of poetry forms and responses. I’ll be making my way through the exercises and prompts between now and the end of the year.
In today’s exercise, Vaughn encourages writers to write a poem in which a word or words are used to paint images.
Gwendolyn’s Dad
lingering blood stains
on Highway 46
at the scene
took her 27 miles
out of the way
for a year
after the fatal wreck
I’ve been reading Kyle Vaughn’s Lightning Paths: 75 Poetry Writing Exercises, which inspired me to delve into another book study of poetry forms and responses. I’ll be making my way through the exercises and prompts between now and the end of the year.
In today’s exercise, Vaughn encourages writers to write about an unexpected image such as a tuba to capture a reader’s imagination with surprise. He references “Tuba” by Morton Marcus, but my mind goes straight to Billy Collins’ “Irish Spider.”
My poem today is inspired by the end of Will’s Red Coat by Tom Ryan – one of my favorite unexpected images! It still brings a tear and a message to live life fully and smell the flowers while we can.
Hooked
Will's little red coat
hanging on a wall hook, still
do you smell flowers?
I’ve been reading Kyle Vaughn’s Lightning Paths: 75 Poetry Writing Exercises, which inspired me to delve into another book study of poetry forms and responses. I’ll be making my way through the exercises and prompts between now and the end of the year.
Today’s exercise is writing a poem using a blend of senses that mix into a single experience such as mixing taste and smell (synesthesia). We’re camping this weekend at High Falls State Park in Jackson, Georgia, where the senses are in the full swing of autumn.
Campsite 68
campfire smoke
clinging in trees the
flavor of marshmallows~
ethereal, ghostly swirls
this October night
leaves crunch
underfoot
dogs bark off in the distance
conversation sparks laughter nearby
music pulses the beat of the night
around the bend
we warm our feet fireside
warm our core
drinking cinnamon spiced tea
warm our hearts
holding hands
warm our spirits
stargazing
I’ve been reading Kyle Vaughn’s Lightning Paths: 75 Poetry Writing Exercises, which inspired me to delve into another book study of poetry forms and responses. I’ll be making my way through the exercises and prompts between now and the end of the year.
In today’s exercise, Vaughn challenges writers to listen to two contrasting pieces of music and compose a poem that deals with their dissonant nature. This morning, I chose to write a cento – a poem comprised completely of existing lines written by other poets/songwriters. I chose the theme of place rather than sound, and used the ten minute frame for writing, deciding to see what I could accomplish in only a short span of time. And I left it unfinished – because that’s okay. Sometimes, having an idea of using four seasons in lyrics that take us to places we don’t belong, and then come home to where we do belong doesn’t result in the fully executed plan.
I’m okay with that. No one except me knows without my admission that this piece is yet unfinished. Poetry lets me move on anyway – and that is therapeutic!
Contrasting Music Cento
on a warm
summer’s evening
on a train
bound for nowhere
there is a house
in New Orleans
they call The Rising Sun
and it’s been the
ruin of many
a poor boy
welcome to the
Hotel California
you can check out
anytime
but
you can
never leave
country roads
take me home
to the place
I belong
I’ve been reading Kyle Vaughn’s Lightning Paths: 75 Poetry Writing Exercises, which inspired me to delve into another book study of poetry forms and responses. I’ll be making my way through the exercises and prompts between now and the end of the year.
Today’s exercise is writing poetry from field recordings. Vaughn encourages writers to get into nature or out into the realm of life and write from observations.
Winterfoot
when I stepped from
the garage door
into the frigid morning
with my Hoka
on one foot
my booted broken ankle
with a thin black
low-cut sock
on the other
I realized
in that moment
I've got a case
of winterfoot
I’ve been reading Kyle Vaughn’s Lightning Paths: 75 Poetry Writing Exercises, which inspired me to delve into another book study of poetry forms and responses. I’ll be making my way through the exercises and prompts between now and the end of the year.
Today’s challenge is Imagery of Sound poetry, in which Vaughn challenges writers to write a poem using sound images beginning with the words I heard inside…..focusing on volume, pitch, and those craft images that represent sound.
I heard inside
the smack of
your words
echoes still
bouncing
off my heart
through my soul
this empty chamber
hollow
echoing
echoing
echoing
Scott McCloskey, our host at http://www.ethicalela.com for today’s Open Write, inspires us to write (Bad) Advice poems. I wrote mine from the middle of the coordinate plane – where I wish more people stood.
Today’s host at http://www.ethicalela.com is Denise Hill, who inspires us to write American Sentence poems – Haikus not on three lines, containing 17 syllables. I’ve been thinking lately about how nice it has been not having neighbors for so long, but I think of the coming days as others edge close. My introverted heart aches, inspiring my seventeen syllables today.
seek solace and silence of sanctuary before all is shattered ~
I take long last looks before change sweeps away this haven I have loved
lament the languishing privacy, pure pleasure of quiet shelter
Today’s host at http://www.ethicalela.com for Day 3 of the October Open Write is Carolina Lopez, who inspires us to write “I’ve Been Writing this Since…” poems.
Carolina, what a compelling prompt today! Your devotion to your family is clear and unshakable, and I admire the commitment you have to your nieces. Your mention of mixed feelings about becoming an aunt and my memories of my earliest days of writing mingled to bring back some vivid color memories. Thank you for investing in us as writers today.
Writing in Crayons
I’ve been writing this since i peeled that red crayon
wrote r-e-d in crooked letters under K-i-m in all my books smiling proudly
relieved I didn’t have to hide the pink for once from Susie Todd her favorite color afraid she’d steal it
take it to her house where we washed our hands with the cheddar cheese colored Dial bar soap sang Puff the Magic Dragon played Chinese Checkers
I’ve been writing this since I dreamed I got a black Irish Wolfhound named him Caesar
since we stood at the shore where I taught him to howl at the silver moon with a tiny blue plastic toy wolf that rested on his nose
since I stood behind his fluffy ears blowing through the toy like a birthday candle that howled that made him howl that made me laugh/howl proudly
I’ve been writing this since Mom’s Lewy Body hallucinations alerted us to the toddler alone in the orange shirt with no mother in sight playing near the edge of the street
(a pumpkin)
since she confused the yellow power tools for bananas when her family built the wheelchair ramp since wiping tears away
I’ve been writing this through the smiles the pride the pain the tears the grief
Anna Roseboro is our host at http://www.ethicalela.com for Day 2 of October’s Open Write. She challenges writers to write about living in the small spaces between other spaces. I thought of the real and virtual worlds, which inspired a short Haiku today.
Layers
real and virtual worlds collide ~ dressed from waist up bottoms optional