My grandmother Haynes was a master seamstress. Georgia Lee Harris Haynes made most all her own clothes until her later years, except the Toughskins jeans for her wild-acting boys. Even Sears and Roebuck had to double down on strong threads for boys who ran the dirt roads of rural Georgia barefoot, fishing in creeks and sliding into the water on rocks. It was a skill that served all homemakers well back in those days, and as children of the Great Depression, these were the women who hoarded spools of thread like they were silver. Understandably. I would have been one of them, too, holding tight to everything I had.

I don’t remember my grandmother Jones ever sewing anything, but my mother sure did! She made us matching dresses throughout the years just like Maria and all those children in The Sound of Music wearing the living room drapes all through the town. She made most of her formals, including her own wedding dress and veil. Instead of carrying a bouquet, she fashioned a Bible with ribbons streaming down – the one thing I saved along with her wedding album.
And she tried to teach her daughter to do so much more than buttons and shoulder ties and elastic waists and bias tape for reversible wraparound skirts, but I threw my hands up in holy hell at zippers and cried real tears of frustration just like I did with piano lessons and the clarinet, and that was that. I made it through basic sewing training, but I never became a master seamstress in the footprints of the women before me. Now, I mostly make flannel rag quilts for my grandchildren on my mother’s prized Bernina machine, one of her most beloved treasures, and I think she’d be proud to know that it’s currently being used to make a stars-and-stripes-and narwhals quilt for her great grandson due to arrive July 4, 2026.


Sewing Zeno
wraparound skirts or buttonholes,
shoulder ties not
a hard
sell
elastic waists
serve me
well
I flee fast from
zipper
hell



