Open Write Day 2 of 3 September 2025

Today’s host at http://www.ethicalela.com’s Day 2 of the September Open Write is Allison Berryhill of Iowa. She teaches high school journalism and is a frequent host of amazing prompts in our writing group. Come read more about Allison and her full prompt here, as she inspires us to write a retelling poem.

I chose to rewrite my favorite childhood poem, Overheard on a Salt Marsh by Harold Monro, as a Shakespearean Sonnet, a fourteen-line poem written in iambic pentameter, where the rhyme scheme is ababcdcdefefgg, with ten syllables per line. Here is the original poem:

Overheard on a Saltmarsh

Nymph, nymph, what are your beads?

Green glass, goblin. Why do you stare at them?

Give them me.

No.

Give them me. Give them me.

No.

Then I will howl all night in the reeds,

Lie in the mud and howl for them.

Goblin, why do you love them so?

They are better than stars or water,

Better than voices of winds that sing,

Better than any man’s fair daughter,

Your green glass beads on a silver ring.

Hush, I stole them out of the moon.

Give me your beads, I want them.

No.

I will howl in the deep lagoon

For your green glass beads, I love them so.

Give them me. Give them.

No.

– Harold Monro (1879 – 1932)

***. ***. ***

Here is my Shakespearean Sonnet:

Nymphs Don’t Play

a goblin glumphed upon a marsh nymph fair

far through the pluff he’d glimpsed a glow of green

such beauty drew him to her, for to stare

pay homage to her globes he hoped to glean

nymph, nymph he glowered, sweetening his gaze

as moonlight cast a truth beam on intent

this young sylph, so accustomed to his ways

was not a stranger to his guileful glint

what are your beads that cast such radiant gleam?

they’re moonbeads, goblin, made of emerald glass

which thereupon his threat suddenly seemed

the type that beckoned kicking goblin ass

and so this marsh nymph, queen of her domain

unleashed unparalleled gonadic pain

-Kim Johnson

Thinking About Fiction

This month, I’m writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. Today we’re inspired to think of a character and write about him/her/them, telling who they are.

all this fiction

all this drama

these problems

these feelings

these backstabbers

these bullshitters

are bigger in life

than they ever

were between any pages

#VerseLove Day 25 with Ashley Valencia-Pate of Florida: Spoken Wishes

Ashley lives in Titusville, Florida where she works as a high school English teacher.

Today, in the spirit of wishing, she inspires us to write a double dactyl poem. You can read her full prompt here. This whimsical form of poetry is made of two quatrains.

  • Line one is a pair of nonsense rhyming words
  • Line two introduces the subject of the poem (often a name)
  • Lines one through three and five through seven contain two dactylic metrical feet
  • Lines four and eight have one dactyl plus a stressed syllable

Aucta Schmaucta

Kimberly wishingly

camping glampingly

marsmallowly mellowing

happily hammocking

camping and coffeeing

secretly harboring

Willowy dreams

#VerseLove Day 18 with Tammi Belko of Ohio – Random Word Poems

Tammi Belko of Ohio is our host today for the 18th day of VerseLove 2025. She inspires us to use a random word generator to generate words to work into poems. You can read her full prompt here, along with some suggestions for online word generators.

Recently, we had The Poetry Fox visit our local coffee shop to celebrate National Poetry Month by writing poems for people on his vintage typewriter. After his visit last year, I learned that he keeps a list of all the words that people give him. I asked if I could take a picture. I’m using his words today as my random words, but I’m only taking a few of them: dogs, hurry, kindred spirits, wisteria, tulip, watercolor, enchantment.

Watercolor Enchantment

I come to the garden

late afternoon

with the boys

– my kindred canine spirit dogs ~

in no hurry to be

anywhere but here

in this watercolor enchantment

of yellow, red, white and pink tulips

vibrant against the lavender wisteria

fragrant, spellbinding,

deeply rooted

in the business

of being what

they were meant

to be

#VerseLove Day 13 with Dr. Sarah J. Donovan of Oklahoma – Witnessing

Dr. Sarah J. Donovan is the founder of Ethical ELA, a community for teacher-writers, and a 2024 Fellow for the Genocide Education Project. A former middle school English teacher and author, she advocates for humanizing literacy practices, genocide education, and poetry as witness. Her work bridges pedagogy, justice, and storytelling.

Sarah inspires us to write poems in recognition of the past and in celebration of the Armenian people, their voices, and their enduring culture. You can read her full prompt here. I’m sharing a celebration pantoum.

Armenian Culture Pantoum

elders are respected

children are revered

Hellenistic temples

intricate khachkars

children are revered

strong family values

intricate khachkars

lavash and harissa

strong family values

Yarkhushta marriage dance

lavash and harissa

Artsakh carpets

Yarkhushta marriage dance

Hellenistic temples

Artsakh carpets

elders are respected

Slice of Life and EthicalELA Writing Groups in Boston

Leilya Pitre, Tammi Belko, Ann E. Burg, and me

If you asked me to share the highlight of this year’s NCTE Convention in Boston, I might think for a few moments before landing on an answer, for there is much to consider.

I’d think about the keynote speakers, and how I had the fabulous opportunity to hear Supreme Court Justice Ketanji Brown Jackson share her story and offer signed books so that attendees can all read more about her journey. I stood in that book line for well over one hour, chatting with a writing friend, happy to have the right to read and the freedom to choose it. I did not complain, either, like I do in Wal Mart when there is a long line.

I’d think of Kate McKinnon of Saturday Night Live and Weird Barbie and Ms. Frizzle voice fame and also getting a copy of her new signed book.

With Kate McKinnon and a signed copy of her new book

I’d think of the trade book author signings – meeting them, sharing a photo op, and wondering about all the unique ways they sign. I’d think of the sessions – trying to pick just one each time – and the poster and mini sessions offering shorter chunks of learning time.

With Linda Rief, the queen of the Quickwrite, who attended our session where I was leading a quickwrite as part of a poetry process – and stayed at my roundtable for a double round! Love this author!

I’d think of the iconic green couch and the surrounding cityscapes with the vast array of restaurants and historic landmarks.

I’d think of the quiet moments of reading and writing, and I’d think of the wide webs of networking and meeting new friends.

I’d think of the excitement of sharing the five books my writing group has written over the past year, and the way it feels like we are walking on a cloud every single time we get to open the pages of them and share them with others – and presenting on two of them at this NCTE Convention. I hope that the two that will be published by Routledge Press in 2025 will bring us back to NCTE next year in Denver to present on those titles as well.

Enjoy a complimentary download of the books above with this QR code!

I’d think, too, of the Boston Writing Marathon Workshop that was being held at the same time as my presentation and how Richard Louth, the founder of the writing marathon and leader of the workshop, ran for his handout (I felt like I might cry) because I was hungry for the experience and needed to know more – and how I’d emailed him and he’d responded, inviting me to join in and share my writing. He’d even suggested a peaceful place to go and write – at Boston’s “Grub Street,” a bookstore/coffee shop/ cafe with a top floor for writers at work. I’ll feature my visit to that shop in tomorrow’s blog.

Sy Montgomery and Matt Patterson signed my book, “To Our #1 Fan, Kim!” I got there early to be first in line. I’ve been a fan of Sy’s for many years, and love that she is here in Boston, right where she did all of her research at the New England Aquarium and made me cry with grief over Octavia in The Soul of an Octopus.

The highlights would be hard to determine, but I wouldn’t have to think long before responding that the most heartfelt highlights of NCTE are found in the connections – – the sharing of stories, dreams, and ideas. Breathing the same air as 7,800 other educators who are all passionate about their careers and their love of reading and writing is empowering. Planning a session with a virtual poetry writing group, then presenting together and meeting for dinner is energizing. Having dinner a second night with yet another writing group (my blogging friends from Slice of Life) is the icing on the cake. To meet those face to face with whom you’ve read and written over the years is a gift – one that continually reminds us that the simple act of finding the beauty in an ordinary moment and sharing it in writing so that we can all be present across the miles – and then holding togetherness in person – is as humanly highlighting as it gets.

The Slice of Life writing group met at Serafina in Boston Seaport
With fellow Georgia educator and children’s book author Randi Sonenshine, who turned up at the front of the line early, too, to meet Sy Montgomery because Sy inspired her children’s picture book The Den That Octopus Built. It was great to see her again!

The Quarreling Songbirds – Stafford Challenge Day 40

Today’s poem is a Haiku, inspired by the footage on my Netvue bird camera. We always seems to find such joy in watching birds, but the truth is that they argue and antagonize each other as much as people. Perhaps we laugh because they help us see the humor in human nature and how ridiculous we look.

The Quarreling Songbirds

quarreling sparrows
bicker, spar over birdseed
like squabbling siblings
Chipping Sparrows spar for the Johnson Funny Farm Birdcam

Day 5 of February’s Open Write with Amber Harrison of Oklahoma, Day 36 of The Stafford Challenge

Ollie, tugging a stolen sock

Today’s host at http://www.ethicalela.com for Day 5 of the February Open Write is Amber Harrison of Oklahoma, who inspires writers to write a borrowed form poem using a fill-in-the-blank approach. You can read her prompt and the poems of others here.

Amber writes:

Today, I invite you to fill in the blanks in these lines by Whitman, or create and refill blanks of a stanza by another poet of your choice (this could be a time when you fill in the blanks expressively or reflectively in zine form):

I celebrate ________,

And what I _____ you ______, 

For every ____________________ me as good

___________________ you.

Original lines by Walt Whitman’s “Song of Myself”

I celebrate myself, and sing myself,

And what I assume you shall assume,

For every atom belonging to me as good belongs to you.

Boo Radley, Stolen Sock World Champion, taunting with those eyes
Stolen Socks

I celebrate stolen socks
And what I tug, you wrangle
For every muscle moved by me as good
as hackles you.

November Open Write – Day 5

Today is the final day of the November Open Write, but this is a fun form today. Fran Haley and I have enjoyed hosting this week. You can read today’s prompt at http://www.ethicalela.com here, or read below.

Title: Doggerel

Our Hosts

Fran Haley

Fran Haley is a literacy educator with a lifelong passion for reading, writing, and dogs. She lives in the countryside near Raleigh, North Carolina, where she savors the rustic scenery and timeless spirit of place. She’s a pastor’s wife, mom of two grown sons, and the proud Franna of two granddaughters: Scout, age seven, and Micah, age two. Fran never tires of watching birds and secretly longs to converse with them (what ancient wisdom these creatures possess!). When she’s not working, serving beside her husband, being hands-on Franna, birding, or coddling one utterly spoiled dachshund, she enjoys blogging at Lit Bits and Pieces: Snippets of Learning and Life. 

Kim Johnson

Kim Johnson, Ed.D., lives on a farm in Williamson, Georgia, where she serves as District Literacy Specialist for Pike County Schools. She enjoys writing, reading, traveling, camping, sipping coffee from souvenir mugs, and spending time with her husband and three rescue schnoodles with literary names – Boo Radley (TKAM), Fitz (F. Scott Fitzgerald), and Ollie (Mary Oliver).  You can follow her blog, Common Threads: Patchwork Prose and Verse, at www.kimhaynesjohnson.com

Inspiration 

We have enjoyed collaborating on this series of Open Writes inspired by the work of Poet Laureate Ada Limón! Next April, honor National Poetry Month with us by taking part in the discussion of Limón’s book, The Hurting Kind (you can join via Sarah Donovan’s new Healing Kind book club). 

In the past few days we’ve written along many themes in Limón’s work: Family, community, belonging, nature. 

Today we expand all that to include a celebration of our pets—in our case, dogs! We decided to end our Open Writes on a fun note.

Or should we say a punny note?

Time for some doggerel!

Process

Doggerel is intentionally bad poetry (what a relief)! Dictionary.com defines it as “comic verse composed in irregular rhythm…verse or words that are badly written or expressed.”

Many nursery rhymes are considered doggerel. Remember this?

I eat my peas with honey

I’ve done it all my life

It makes the peas taste funny

But it keeps them on my knife. 

—Frequently attributed to Anonymous and Ogden Nash

Speaking of Odgen Nash, consider these lines of his:

I sit in an office at 244 Madison Avenue

And say to myself you have a responsible job, havenue?

Why then do you fritter away your time on this doggerel?

If you have a sore throat you can cure it by using a good goggerel…

You can read that whole poem and more here

Today, celebrate the pets (hopefully dogs) in your life with a short whimsical, silly, rhyming or non-rhyming verse. Perhaps a limerick…

or write some haiku

and if you don’t have a dog

—sigh. A cat will do.

Just have pun! Er, fun!

Fran’s Poem

A Bit of Doggerel in Honor of My Granddog, Henry

Time for a nap

time to recharge

if only for a bit

on a teeny-tiny pillow

that ain’t a good fit

this is what comes

of living large

Kim’s Poem

(Texts and verse written with Boxer Moon as he delivered wood and saw the dogs at my house – I asked if I could use our texts for doggerel, and this is what we wrote in our rural Georgia vernacular):

Logs & Limbs & Dogs & Dem 

I hope dem dogs don’t get me, he sent

  In a text on delivering wood

Dey real visshus, I sent back

We put dem up

‘cause you need yo’ limbs

***

Did dem dogs get you? 

I checked on the poetic woodcutter

Dem dog’gerel visshus, 

but dem dog’dint get me, he replied.

***

The Woodcutter’s Afterword:

Dem Kim’s lims now

Dem dogs dint get me,

I stack’t da logs and lef’ dem dogs

-Kim and Boxer

Your Turn

November Open Write – Day 2

This week, Fran Haley and I are hosting the November Open Write at http://www.ethicalela.com. Come join us as we write poetry together. You can read Fran’s full prompt on the website along with the poems of others or the prompt only, here below.

Title: Belonging

Our Host

Fran Haley is a literacy educator with a lifelong passion for reading, writing, and dogs. She lives in the countryside near Raleigh, North Carolina, where she savors the rustic scenery and timeless spirit of place. She’s a pastor’s wife, mom of two grown sons, and the proud Franna of two granddaughters: Scout, age seven, and Micah, age two. Fran never tires of watching birds and secretly longs to converse with them (what ancient wisdom these creatures possess!). When she’s not working, serving beside her husband, being hands-on Franna, birding, or coddling one utterly spoiled dachshund, she enjoys blogging at Lit Bits and Pieces: Snippets of Learning and Life. 

Inspiration 

As Kim Johnson mentioned in yesterday’s Open Write: Come April, she and I will be honoring National Poetry Month by facilitating discussion of The Hurting Kind, the most recent book by current U.S. Poet Laureate Ada Limón (you can join us via Sarah Donovan’s new Healing Kind book club). 

Let me linger a moment on the word healing. How often, how long, have we cried out for healing as individuals, families, communities, nations, humankind? When a group of students asked me what superpower I’d want most, that’s what I said. Healing. Oh, to lessen suffering, restore wholeness, impart peace…

In contemplating the despair and destruction of our times—of our human history, honestly—I cannot help picking up the inextricable thread of belonging. Think on this: How much pain stems from the need to belong? To know, to have, a safe place of being

In a May 2022 interview with Angela María Spring of Electric Lit, Limón speaks of inspiration for The Hurting Kind: “We are all part of a community, we’re all connected. And sometimes we work so hard at trying to fit in somewhere to find our community, to figure out what it is that makes us connected…you’re already connected. You already have all that you need. And it’s in everything that’s come before you and it’s in everything that’s going to come after.”

That is the spirit of today’s poetry writing.

Process

Read Limón’s poem, “Ancestors”. Note that her images and metaphors are drawn from nature. She writes, exquisitely, of being from rocks, trees, and the “lacing patterns of leaves,” concluding with “I do not know where else I belong.” There are telling lines about roots and survival.

Considering the whole of your life: Which places impart the greatest sense of belonging to you? Why? Concentrate on details and possible symbolism of these settings. What’s the story? Which people are connected to these places? They’re often, but not always, family. 

Try writing free verse or a prose poem incorporating these meaningful images, perhaps borrowing the phrases I’ve come here from and/or I do not know where else I belong.

Fran’s Poem

Origins

(after Ada Limón’s “Ancestors”)

I come here by way of the king’s river
a moody expanse, as vast as the sea
gray-green depths
with bell-topped red buoys
bobbing, bobbing
Right, red, returning
a rite of passage

I’ve come here from bridges
yes, most of all from bridges


traversed by my predecessors
seeking livelihood

—did they ever encounter
bridges in their dreams

the way I have?
Distorted structures of dizzying heights

spanning waters at dead of night
absurd angles

impossible to navigate


I never think I can

but I always
find my way.

Like a pigeon, released

driven by some coding
deep in my DNA

I’ve forsaken the riverside
the mammoth steel cranes

the sound of buzz saws, rivet-guns,

metal striking metal
—over time, making a man
lose his hearing

to return, to roost
here in the dawn lands
where abandoned gray houses
and weathered-wood barns
sink decade by decade
into the earth

—for it always
takes back its own


where white-spotted fawns

guarded by their mothers

step like totems from sun-dappled woods

swelling with cicada chorus 

—little living buzz saws
echoing, echoing in my blood
the generational song

—I don’t know
where else I belong.

Your Turn

Kim’s Poem

Ancestors Speak (inspired by Ada Limon’s Ancestors)

I’ve come here

from island and swamp

from Spanish Moss live oaks

from river and ocean

from marshland spartina

from cypress and mangrove

magnolia and black gum

Georgia roots running deep

all sunshine and black water

chaos and order

from hermit and hoarder

from ghosts that still speak

of lies that were spoken

of promises broken

of sermons not lived

the hard slap of truth

I don’t know

where else

I belong.