Goodbye, May…..Hello, June!

I’ve learned that if you don’t like a style of a painting, you can switch books and try again. Two paintings of the very same thing will give you a whole different way of painting it, and as a lover of lily pads and water lilies since childhood, I wanted a less finished look, more watery and abstract than my first lily painting with the harder lines. It’s an important thing to know. My friend Glenda encouraged me to try my bird of paradise again, after painting one I did not like. I plan to do that, but first I saw a lily that invited me to do the same thing, and I learned something about watercolor painting.

I learned I like the watery, unfinished look of things, where the lines are free to blur and the color can you outside the lines and look better than it does when it doesn’t spill out. Take this second lily, for example. It needs more green in the leaf part, but look at the top petals. It’s reassuring that not everything has to live within the lines or be all the same expected shades and colors to be pretty. I like that about watercolors, and I like that about life and people.

Now take a look at this ugly watercolor lily pad below, the one that looks like a moldy croissant or a sideways-sleeping green zebra from the back end. The colors don’t bleed right, and my learning that happened here was in discovering the kind of paintings I like to see and do. I learned I like things less realistic and more abstract, with softer lines, softer colors, and more blur.

Every step, every mistake and delight in the painting journey is an opportunity for reflection on the process and the product. From the beginning of the first book to the middle of the second book I’ve been working through, I’m feeling the joy of creating something each time I sit down and pick up a brush. And I surprise myself sometimes with those little details that turn out in some paintings. Like knowing a style of shoes or clothes, and taking an armful of outfits into the dressing room to find that one fits and most don’t and it’s okay to not like everything even though it looked good for a minute on the mannequin or the hanger.

Throughout the month of May, I’ve been sharing watercolors and learning along the way. This is a hobby I’ll continue. I dream of weekends where I can go kayaking with my son and his growing family along the South Carolina coast, and weekends where I can go out west and paint with my daughters in the desert when I retire and have more time to get away. If I were painting with my daughters tomorrow, for example, this is how I would envision it:

For the month of June, my blog theme will be Family Photos. I’m sorting large tubs of pictures my brother and I have been staring at in a corner of Dad’s house as we’ve scratched our heads and wondered just what should become of them. So I brought them home with me on my last trip there and will attempt to make sense of the process by sharing some of the pictures here and writing the stories before passing some on and keeping some. If you’re a blog reader who has ever dreamed of taking pen to paper and writing, or if you’re a reader with a blog of your own and would like to join me in sorting your own family photos and sharing your stories, I invite you to come along and see what we can all unearth from the annals of time as we welcome the month of June.

come along with me

on a journey back in time

re-framing moments

Botanical Watercolor Masterpiece Mistake

I knew when I painted a fern branch earlier this month that it would be my favorite of all the firsts. It looked real, with the variegated green leaves and authentic stems, like I’d plucked it fresh from the edge of the forest lining my driveway and placed it right here on the paper. It appeals to my simple side – – just two colors and one brush, a recycled coconut Oui glass yogurt container filled with water, and a page-bound piece of watercolor paper. And the directions.

Yes! Finally, something that looked real and that might be framed in an art gallery by some lesser-known semi-famous watercolor artist from a rural town in middle Georgia.

I liked it, so I set out to use the plain white notecards I’d found in the craft section of one of our six local Dollar Generals no more than five miles apart on every map throughout the southeastern United States to create a hand-painted notecard. And I worked and worked and started loving it, too…..until…..

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…two little leaves halfway down the page and to the left of the stem became problematic. Instead of leaving them as their own sort of natural trouble, I started trying to fix them with my human eyes and perceptions of how fern leaves should look. And tried and tried, and ended up with what looked like two leaves on a stem that a novice watercolor human had tried unsuccessfully to fix. Definitely not those up to par with a semi-famous rural watercolor artist.

I’d heard that “all art is fixable,” a long time ago. I decided to text my older daughter, who had been to college as an art major, for tips on what to do. I sent her the picture and asked if she could find the mistake, thinking maybe it was just me, measuring with my own human eyes my perceptions of what a leaf should be. But she, too, found it and marked it up in her phone and sent the photo back like she’d found 1990s-famous Waldo in a red and white striped shirt sticking out like a sore thumb.

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And she suggested what to do to make the art fixable…..painting a caterpillar “or something.” We continued texting, and what I love about texting with my children is that while we are talking about fixing art, we are really talking about life and its universal transfers to deeply held beliefs. I thumbed through my watercolor book and found both a ladybug and a caterpillar and decided on the caterpillar. I did NOT like that ladybug, even though I tried painting it. The legs looked a little off.

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I like, too, that even though she was an art major and has so much natural talent, we are both using our “training wheel” books with the picture already sketched onto watercolor book paper. She will bloom in creativity far more quickly than I will, as she’s already ventured into salt watercolor painting, her own sketches, using filters on her camera to change photos she takes to a watercolor filter to see how she might paint something, and inherently knows more about the artistic techniques that she can apply from other art forms to watercolor painting.

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And I really love that a 59-year old mother trying a new hobby can ask her 39-year old daughter who naturally gravitates to all things art like a duck takes to water, what to do about my fern leaf failure. And I love that I took her advice. I found my caterpillar directions in my training wheel book and painted this caterpillar in a smaller form, over those two bad leaves. And as soon as I began, I knew that my next lesson needed to be on perspective and dimension. I’m not sure whether the watercolor training wheel books can teach those skills, but I’m going to go into every painting henceforth reminding myself that caterpillars in the wild do not dangle like gymnasts on parallel bars from fern leaves. But my daughter, ever the optimist, found a way to add an encouraging sentiment in the text thread.

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I think I like caterpillars on branches much better….and the more conceptual version of leaves, too.

Move over, Eric Carle……there’s a new hungry caterpillar in rural Georgia dangling by one suckerfoot from a fern, eating all the greenery on her quest to grow a pair of painted wings….. and take flight.

big-ass ladybug?

or one fat caterpillar?

either fixes art.

Watercolor Haiku: Water Lily

Leaves, Any kind of leaf gives me trouble, especially with edges and vein lines. This was one of the very first watercolor paintings I completed on spring break in my step-by-step paint-on-page watercolor book, the equivalent of a bicycle with training wheels. I look at this and the logo above and of course the nature lover in me remembers sitting at a picnic table on a campsite by the creek that runs to the pond full of water lilies and frogs at FDR State Park in Georgia. It seems like a lifetime ago, and here we are at the end of May. And then my eyes trail to the veins in this leaf that looks more like a molded croissant or a fortune cookie than a lily pad. Tsk-tsk.

But I can appreciate it. After looking at hundreds of watercolor paintings over the past few weeks and learning a little more of the blending techniques, I can see some growth even just in how I hold the brush now compared to two months ago. I’ve been watching my writing friend Susie Morice as she tries a new paper and is moving all to one kind of watercolor paint. My friend Glenda took a class and can paint flowers like a pro now. My friend Margaret Simon is in a class and could illustrate her next book. And my daughters are both painting again, too ~ one sent me a peach from her morning painting yesterday, and it warmed my heart…..my firstborn, born a Georgia Peach in Savannah, now living out west and painting a peach. She went to art school years ago and has given me tips and pointers as we share creations. She told me that watercolor was less forgiving than any other kind of painting, and I can feel it. She also told me that when I painted a fern on a notecard and messed up two of the leaves, I could paint a caterpillar over it. I learn so much from my children.

I wonder what she would say about a moldy croissant trying to look like a lily pad……

Watercolor Waterlily

Neverland tales of

Princess Water Lily drift

into adulthood

….or was she Tiger Lily?

I’m too old to remember

Watercolor Fox for Silas

When my daughter saw that I was watercolor painting, she asked me to paint something for my youngest grandson, her son Silas, whose name means “man of the forest,” bringing to mind all my favorite woodland critters. Before he was born in December 2024, I made him a quilt featuring forest animals (as I have for all of the other grandchildren for their nurseries); it was his baby shower theme, his nursery theme, and will hopefully stay with him in a love of nature and animals throughout his life.

When I saw the book of woodland critters to paint, I snapped it up and started working through the pages. There were several similarly-themed books to consider, but the fox had to be cute. Every other critter can be ho-hum, but if you’ve got a cute fox, you’ve got the right watercolor book. And I think I found it. I love this little fox, looking like he is sitting in the breeze just chilling and enjoying life. This is what I wish for all of my grandchildren ~ that they will know how to appreciate each moment, love the outdoors, and be respectful of the environment for all creatures great and small.

For My Grandson

a fox for Silas

little man of the forest

clever and charming

(…..and sometime this weekend, I’ll be shopping for a new quilt theme for the newest grandson, our eighth grandchild, who is due July 4).

Hydrangea Watercolor Haiku

Whenever I see a hydrangea, I think of two people. The first is my late father, who in his waning days after a lifetime of calling it a hydrangea, called it a hydranjula. Someone had brought one to the hospital, and he urged me to “take that hydranjula” home with me. Either he was used to the constant room changes or he knew his days were quickly coming to an end. I took the flower.

The second is Missy, my childhood friend who gave me a sprig of a hydrangea she’d been rooting. I transplanted it to our farmland home in middle Georgia from the island where we grew up riding bikes all over the place before it became a tourist destination. It must have wanted to be a country hydrangea, living in a quieter, less subtropical place. It’s thriving, despite my neglect of it. These are the kinds of plants I need. The kind I can plant, water, and forget – – and let nature do the rest until time for pruning.

When I saw the blank watercolor page with its step-by-step paint-on-page directions, I had no idea how to create color within color until I learned a little about wet on wet versus wet on dry painting. When a page is wet, the colors bleed together in a way that painting colors on dry pages doesn’t. I can’t think of a better flower choice to learn about wet on wet than a hydrangea, with its blending pop of colors that change based on the pH of the soil. And for once, I had a leaf actually turn out the way it’s supposed to look. I couldn’t have done that when I started, so I am learning a little as I go. I prefer slow, unhurried learning – – and ironically, it’s a lot like watercolor painting where you build layer on layer. I was never a fast learner, but once I finally get it, I’ve got a grasp.

Happy Sunday! Tomorrow, I’ll share our first experience boondocking in a Harvest Hosts site. If you’ve never heard of Harvest Hosts, it’s an innovative way to travel like a complete and total hippie – – which is my ultimate goal for the next chapter of my life. I want to be a hydranjula-painting traveling haiku-writing hippie, and I’ll show you the boondocking part of what that looks like tomorrow.

Hydrangea

the last flower my

father ever gave me was

a hydran-jula

Watercolor Welcome: Lemon

Confession time. I was trying my best to wait to read the book I chose to read for Sally Donnelly’s Summer Reading Club, 44 Poems on Being With Each Other by Padraig O’Tuama, but I have not been successful at all. A new book of poetry, for me, is a lot like that bag of M&Ms I try to hide from myself but that won’t quit calling my name until I give in and devour the whole thing. Forbidden M&Ms are like words of poetry – – I can’t quit until the last word in the bag is gone.

And so I have read, savored, pondered, written, and I haven’t gained all the pounds of the chocolate, but I’ve consumed all the delicious indulgence of the page. There’s no sense in feeling the guilt of reading the whole thing early ~ I read it and my clothes still fit, so I’ll celebrate the power of poetry to bring joy and inspire new writing.

I’ve been watercolor painting on weekends, and I decided to take Wendy Cope’s classic poem The Orange on page 224 in the book and allow it to inspire a poem and painting of a lemon, using Cope’s same iambic beat and stanza form. Already, I’m wondering what each poem in this book can inspire in art forms: photography, collage, jewelry design, mosaic, and a million other creative possibilities. I am re-reading already. A huge thanks to Sally Donnelly for inviting us to be part of a kindred gathering of readers.

The Lemon

while camping, I painted a lemon

its colors all citrus-y yellow

curious campers came calling

waving and smiling warm hellos

and that lemon, it brought conversations

of campfires and families and fun

once strangers, now neighbors chit-chatting

on sunshine-y site 301

the “ap-peel” was really surprising

my painting was not all that zesty

but colorful palettes paint friendships

I love my new lemon-y besties

VerseLove Day 26: Poetic Cartography

Clayton Moon of Thomaston, Georgia is our host today for the 26th day of VerseLove at http://www.ethicalela.com, inspiring us to write poems as cartographers capturing the essence of place through the five senses. You can read his full prompt here.

Hands holding steaming coffee cup on porch railing with sunrise over rolling hills and mist
Enjoying a hot cup of coffee on a rustic porch overlooking a misty sunrise landscape.

Sipping Home

come sit by me

on my front porch

first light rouses, groggy

from the dark of night

into the glorious morning skies

over rolling hills

winking at morning songbirds

praising their Maker

in the misty morning breeze

even as wildfires rage

come sit beside me

raise your coffee to your lips

take the lid off

breathe deeply

in /out/ in/ out

because just like any place

you must take it all in

to experience the rich flavor ~

hear its drip

taste its roasted bean

smell its trademark aroma

feel its piping warmth

see its dark awakenings

against the light of the eastern sky

come sit with me

let’s sip home

together

VerseLove Day 25: Slam Poems

I am working on a slam poem to go with today’s prompt at ethicalela.com for the 25th day of VerseLove, but meanwhile this sonnet is burning a hole in my paper, so I share this one today and may convert it to a slam poem later. For now, peace.

Older woman reading a handwritten letter at a kitchen table with plants and a cup of tea
A woman happily reads a letter while sitting at a wooden kitchen table with plants and a cup of tea nearby.

Nature Sonnet

a fragrant flower in the windowsill

a bookmark made of braided meadow grass

the signs of earth indoors my heart doth fill

I long to take a watercolor class

to plein-air paint the sunsets orange-red

that fireball sinking ‘neath horizons west

where scenes of Mother Earth are richly fed

her images in nature-tones finessed

I long to write earthsongs in lilting verse

to feel cool breezes blowing through each line

as raindrops on fresh soil my soul immerse

as fragrant as bright morning glory vine

at every turn the earth extends her hand

inspiring me to love her ev’ry land

VerseLove Day 23: Lose, Loss, Lost

Our host today for the 23rd day of VerseLove at http://www.ethicalela.com is Scott McCloskey of Michigan, who inspires us to write poems of loss. You can read his full prompt here.

Enough

here you are, slumped

next to me

in our favorite

chair and a half

your warmth on my hip

resting peacefully

Gabapentin doing its work

for your pain

Thank God your

mouth is on the armrest

with one paw

protecting it

breathing the other way

with breath so bad

it might kill a buzzard

but for your human it’s

the sign of life

of your holding on

and already I know

chances are high that

your teeth and mouth ulcers

and bladder stones

may not be all that is lost

next week

I feel tears welling just

thinking about it

you, our rescue schnauzer

with no known age or past

all things uncertain except

one thing:

we are tenderly and fiercely

bonded, imprinted, paired

as forever buddies

you are here,

you are warm and safe,

and you are loved

in this moment

now

which is

enough

for this hour

4/19: The Kid Lit Progressive Poem

Come along and read our 2026 Progressive Poem, where a poet adds a line each day, it’s organized by Margaret Simon and originally started by Irene Latham.  Today is my day to add a line to the poem, and you can see below the map of the Land of Poetry. I’m continuing a tweet by Meek Dove today over in Thackeray’s Thicket. I learned, through a bit of research, that William Thackeray has a fitting middle name for a theme of The Land of Poetry.

One possibility for what The Land of Poetry might look like, line and map by Tabatha Yeatts

The Land of Poetry

On my first trip to the Land of Poetry,
I saw anthologies of every color, tall as buildings.
A world of words, wonder on wings, waiting just for me!
Birding for words shimmering, flecked in golden gilding.

Binoculars ready, I toured boulevards and side streets
exploring vibrant verses, verses so honest and tender,
feathery lyrics, bright flitting avian athletes
soaring ‘cross pages in rhythmic splendor.

In the Land of Poetry, I am the conductor,
seeking oodles of poems that tug at my heart,                                      
a musical medley of sound and structure,                             
an open mic in Frost Forest! Wonder who’ll take part?

There’s a pause in the program; no one takes the stage
the trees quiver, the audience looks up. Raven lands,                                
singing Earth’s message of the sage.  
“Poetry in motion will be forevermore, from forests to sands.”

“Scatter,” she croaked. “Beyond Wilde Pond, to each and every beach.”
Meek Dove mustered courage and sang, “Instill humanity with compassion and peace.

Let Thackeray’s middle name, from this thicket, hearts reach!”

A bird sitting on a moss-covered branch among flowers, singing 'Make Peace'
Meek Dove perched on a flowering branch singing ‘Make Peace’ from Thackeray Thicket in The Land of Poetry

And I’m handing the fabulous feather pen to Buffy Silverman to continue our journey through The Land of Poetry.  Take the wheel, Buffy!!

Below is a list of all the poets where the 2026 Progressive Poem has and will make stops:


April 1 Tabatha Yeatts at The Opposite of Indifference
April 2 Cathy Stenquist at A Little Bit of This and That
April 3 Patricia Franz at Reverie
April 4 Donna Smith at Mainely Write
April 5 Janice Scully at Salt City Verse
April 6 Denise Krebs at Dare to Care
April 7 Ruth Hersey at There is no such thing as a God-forsaken town
April 8 Rose Cappelli at Imagine the Possibilities
April 9 Margaret Simon at Reflections on the Teche
April 10 Janet Clare Fagel at Reflections on the Teche
April 11 Diane Davis at Starting Again in Poetry
April 12 Linda Baie at Teacher Dance
April 13 Linda Mitchell at Another Word Edgewise
April 14 Jone MacCulloch at
April 15 Joyce Uglow at Storied Ink
April 16 Carol Varsalona at Beyond Literacy Link
April 17 Robyn Hood Black at Life on the Deckle Edge
April 18 Michelle Kogan at More Art for All
April 19 Kim Johnson at Common Threads
April 20 Buffy Silverman
April 21 Irene Latham at Live Your Poem 
April 22 Karen Edmisten
April 23 Heidi Mordhorst at my juicy little universe
April 24 Mary Lee Hahn at A(nother) Year of Reading
April 25 Tanita Davis at Fiction, instead of Lies
April 26 Sharon Roy at Pedaling Poet
April 27 Tracey Kiff-Judson at Tangles and Tails
April 28 Tabatha Yeatts at The Opposite of Indifference
April 29
April 30

Also, hop over to http://www.ethicalela.com to day for the 19th day of VerseLove, where Stefani Boutelier is hosting us and inspiring us to up our game as she gamifies poems. I used a Wordle inspiration today:

God and Emily Having a Garden Chat

take a stand for hope
Hebrews Eleven, Verse One
the thing with feathers