One of my daughters flips furniture and has garnered a social media following, sharing what she does in time lapsed videos as she breathes new life into pieces that need a fresh start. I’m always amazed by her before and after photos of the projects she envisions and creates. So when I finally worked up the courage to flip my grandmother’s kitchen table that I’ve had for many years but was scared to refinish for fear I’d mess it all up, I picked up the phone.
“What do I do?” I asked her. My (almost) sister-in-law had suggested chalk paint, and I loved the idea of a modern farmhouse look.
Ansley told me, and I set out to get the things I’d need: an orbital sander with 80 and 220 grit sanding pads, a 180 grit sanding sponge or paper, a can of Behr chalk paint in Farmhouse White, a good name brand chalk paint brush and wax brush, a tub of chalk paint wax and a lint-free rag, a quality 2-inch stain brush that wouldn’t shed bristles, a drop cloth or other floor covering, and a can of stain mixed with polyurethane in a satin finish. I chose a warm pecan color.
I wore a mask and sanded the dark finish off the top with the 80 grit paper outdoors, then wiped it all down and lightly sanded the bottom with a 180 sanding sponge. Back indoors, I lined the floor with paper in case of spills (I’m so glad I did) and painted the bottom part of the table with 3 coats of chalk paint and the top with 3 coats of the pecan stain/poly mix, sanding with the 220 grit in between coats. Although I paid the price of bending down all weekend with a Monday morning backache, I completed the project in two days and now have a whole different kitchen table.
We normally don’t have the table situated with the leaves out, but in the picture above, they’re open for drying and the table is pulled apart into its different sections. I’m letting the table dry for a couple of extra days since the leaves will fold in half and rest with tops touching once I roll them back inside the table and lock it shut.
I can hear my grandmother, Georgia Lee Haynes, cheering her granddaughter Ansley’s skills and choices from Heaven as I stand here in my rural Georgia kitchen between the two of them, one in Heaven and one in Kentucky. I’m the one holding a dripping paintbrush with a splotch of white paint in my hair, standing next to the table that will bridge generations from long ago to many years in the future.
Pull up a chair and let’s have a cup of tea and play a game of dominoes – – and feel free to grab a paintbrush and stay awhile…..the chairs are next.
Common Threads 