I often experience those spinoff tornadoes of excitement that NCTE brings – the conversations with others that aren’t officially a part of the conference but that take me further down avenues of thought – and occasionally, further down blocks of the city to explore physical places someone mentions.
Such was the case when I met Richard Louth, the creator of the original New Orleans Writing Marathon, whose NCTE workshop in Boston offered attendees the opportunity to participate in The Boston Writing Marathon. In this writing marathon, a large group met and wrote together for a practice session on all the exciting ways to center their writing for the hours ahead. They had a round of sharing with a protocol that allowed everyone to honor the writing of others. Then, they set out in small groups to write in various locations, capturing in words and worlds all that came to mind. When they returned, they shared their writing and experienced the essence of the collective experience.
I’d stopped by to meet Dr. Louth and expressed my disappointment that I would be unable to attend his workshop. My presentation time was overlapping the workshop – but I wanted to know more. He ran for his handout and encouraged me to write, even though I would be unable to be part of the group on the first day of the conference.
He shared more about Virtual Writing Marathons (VWM), explaining, “When the pandemic hit and physical Writing Marathons became impossible, I helped Kel Sassi of the National Writing Project create a VWM program in the summer of 2020. That summer, VWM writers virtually visited a different location in the country for an hour each week under the guidance of a local NWP site and ‘Storymaps’ that focused on different locations, and we wrote and shared in small breakout groups through Zoom. We did 10 weeks that summer, with each VWM attracting 50-60 people on average. The final VWM that summer was in New Orleans. The VWM continued each summer, and it even expanded into monthly Tuesday evening meetings during the school year. We had VWMs in Arkansas and Missouri this fall, and our next will be in January.”
He further added:
“For more information, Google NWP’s ‘Write Across America.’ It’s open to anyone to register…..also, check out the Tennessee Williams Literary Festival website.”
In our later conversation by email, I learned that Dr. Louth had gone to a place called Grub Street with a former student, where they had written together near Pier 4 for their Boston Writing Marathon location.
I had to check it out!
When we approached the doors, my husband shook his head and caught my eye in that fearful kind of way that husbands do when they realize they are about to go broke.
“Ooooh, Baby. This is all you,” he sheepishly conceded, reluctantly patting his wallet.
He was right.
From the moment we entered the place, we breathed life-giving air. Reading and writing particles flitted like glitter through the air and engulfed me in sparkles. In this place was some kind of magic for everyone. My husband took to a corner with a book by Paul McCartney entitled The Lyrics, which explains the backstories of songs. He got lost in a concert all his own, silent music flooding his soul, entering his eyes and exiting through one tapping foot.
Just the patterns of the floors and unique shapes of the light fixtures were captivating. Every now and then, I enter a place where the lighting illuminates the darkest parts of a searching soul – so much that I can feel it. I felt it here in Grub Street.
I was fascinated by the people – some working, some writing, some seeking, some reading. All engrossed in their moments. The winter wear sets a photographic temperature – a very Bostony cold with rain on the way, and winds whipping our faces. We were completely unprepared for the weather, but it added an element of survival to the experience just as any adventure book would reveal in the exposition.
And we were suddenly the coatless characters in this book store story.
I stood for a while and read the titles visitors had added to the list of books that made them feel grateful, a common theme word for the month of Thanksgiving. What book would I add? Mary Oliver’s Devotions, no doubt. And Billy Collins’s Whale Day, Sy Montgomery’s Good, Good Pig. I would run out of Expo markers before I could finish listing all the books that bring to heart a grateful spirit.
I wasn’t able to go upstairs, as the top floor had been shut down for the night, but I’ve added this to my list of places to visit when we return to Boston. What a unique concept – a writer’s haven.
I’m so grateful Dr. Louth shared this place, and thrilled I took the opportunity to visit.
Until we return, I’ll continue to wonder about the upstairs writing that happens at Grub Street.
And a part of me will secretly be grateful that I didn’t get to see it this time.
The wondering fuels the imagination and the dream. And the desire to return.
Common Threads 