February Open Write Day 2: Hope Lies Within

Photo by Viktoria Slowikowska on Pexels.com

Stacey L. Joy of Los Angeles, California is our host today for the second day of the Open Write at http://www.ethicalela.com. She writes, “Back in April 2021 for Verselove, our Ethical ELA friend, Dr. Kim Johnson, prompted us to write a mirror poem by finding words from another poet to use in our original poems. I fell in love with You, too, Can Fly by Zetta Elliot. And I fell deeper in love with the Etheree as my form. It’s Black History Month, and my heart longs for hope during such difficult times. I know our ancestors left us with hope. It’s up to us to find it and spread it.”

You can read Stacey’s full prompt and the poems of others, along with the process for writing an etheree here.

I used two of my favorite black poets’ works today, and one favorite of Mexican-American descent, to blend an etheree in celebration of all strong women of this nation: Lucille Clifton (won’t you celebrate with me) and Maya Angelou (The Human Family), two strong women whose poetry modeled what our reigning US Poet Laureate Ada Limon meant when she wrote How To Triumph Like A Girl. And here we are, standing on this bridge together.

Lifting Our Shirts

take

my hand

celebrate

togetherness

strength in unity

we are more alike, my

friend(s), than we are unalike

the human family survives

on this bridge of lady heart triumph

just lift our shirts and see to believe it

November Open Write – Day 3

Fran Haley of North Carolina and I are hosting this week’s writing prompts at http://www.ethicalela.com for the November Open Write. You can read today’s prompt below or here on the website. We’d love to have you join us as we write and share!

Give Me This – an Ada Limon-inspired Poem

Our Host

Kim Johnson, Ed.D., lives on a farm in Williamson, Georgia, where she serves as District Literacy Specialist for Pike County Schools. She enjoys writing, reading, traveling, camping, sipping coffee from souvenir mugs, and spending time with her husband and three rescue schnoodles with literary names – Boo Radley (TKAM), Fitz (F. Scott Fitzgerald), and Ollie (Mary Oliver).  You can follow her blog, Common Threads: Patchwork Prose and Verse, at www.kimhaynesjohnson.com

Inspiration 

As part of Sarah Donovan’s Healing Kind book club, Fran Haley and I will be facilitating a discussion of The Hurting Kind by Ada Limon in April to celebrate National Poetry Month.  Preparing for these conversations led us to choose several of Limon’s poems this week as inspirations for topic, form, or title.  In Give Me This, Limon watches a groundhog steal her tomatoes and envies the freedom of this creature in the delights of rebellion.  

Process

Use Limon’s poem as a theme or topic, form, or title (or combination of these) to inspire your own Give Me This poem.  

Kim’s Poem

I’m using a moment I would love to re-live, a moment I did not want to pull away from, as my inspiration for today’s poem, and I’m choosing the Nonet form, in which each numbered line from 1-9, or from 9-1 has that many syllables on each.  I’m writing a nonet and a reverse nonet to form a concrete (shape) poem resembling a prairie dog’s hideout.  

Give Me Prairie Dogs

I didn’t want to leave our hotel~

prairie dogs were entertaining

me to no end, their antics

suspicious, unaware

of my watching them

skittering…. then

standing still….

seeking

ground

How 

could a

famous row

of graffiti’ed

buried Cadillacs

come close to competing

with Amarillo sunrise

prairie dogs in sheer merriment

of their Tru Hotel fenced-in playground?

Your turn.

November Open Write – Day 2

This week, Fran Haley and I are hosting the November Open Write at http://www.ethicalela.com. Come join us as we write poetry together. You can read Fran’s full prompt on the website along with the poems of others or the prompt only, here below.

Title: Belonging

Our Host

Fran Haley is a literacy educator with a lifelong passion for reading, writing, and dogs. She lives in the countryside near Raleigh, North Carolina, where she savors the rustic scenery and timeless spirit of place. She’s a pastor’s wife, mom of two grown sons, and the proud Franna of two granddaughters: Scout, age seven, and Micah, age two. Fran never tires of watching birds and secretly longs to converse with them (what ancient wisdom these creatures possess!). When she’s not working, serving beside her husband, being hands-on Franna, birding, or coddling one utterly spoiled dachshund, she enjoys blogging at Lit Bits and Pieces: Snippets of Learning and Life. 

Inspiration 

As Kim Johnson mentioned in yesterday’s Open Write: Come April, she and I will be honoring National Poetry Month by facilitating discussion of The Hurting Kind, the most recent book by current U.S. Poet Laureate Ada Limón (you can join us via Sarah Donovan’s new Healing Kind book club). 

Let me linger a moment on the word healing. How often, how long, have we cried out for healing as individuals, families, communities, nations, humankind? When a group of students asked me what superpower I’d want most, that’s what I said. Healing. Oh, to lessen suffering, restore wholeness, impart peace…

In contemplating the despair and destruction of our times—of our human history, honestly—I cannot help picking up the inextricable thread of belonging. Think on this: How much pain stems from the need to belong? To know, to have, a safe place of being

In a May 2022 interview with Angela María Spring of Electric Lit, Limón speaks of inspiration for The Hurting Kind: “We are all part of a community, we’re all connected. And sometimes we work so hard at trying to fit in somewhere to find our community, to figure out what it is that makes us connected…you’re already connected. You already have all that you need. And it’s in everything that’s come before you and it’s in everything that’s going to come after.”

That is the spirit of today’s poetry writing.

Process

Read Limón’s poem, “Ancestors”. Note that her images and metaphors are drawn from nature. She writes, exquisitely, of being from rocks, trees, and the “lacing patterns of leaves,” concluding with “I do not know where else I belong.” There are telling lines about roots and survival.

Considering the whole of your life: Which places impart the greatest sense of belonging to you? Why? Concentrate on details and possible symbolism of these settings. What’s the story? Which people are connected to these places? They’re often, but not always, family. 

Try writing free verse or a prose poem incorporating these meaningful images, perhaps borrowing the phrases I’ve come here from and/or I do not know where else I belong.

Fran’s Poem

Origins

(after Ada Limón’s “Ancestors”)

I come here by way of the king’s river
a moody expanse, as vast as the sea
gray-green depths
with bell-topped red buoys
bobbing, bobbing
Right, red, returning
a rite of passage

I’ve come here from bridges
yes, most of all from bridges


traversed by my predecessors
seeking livelihood

—did they ever encounter
bridges in their dreams

the way I have?
Distorted structures of dizzying heights

spanning waters at dead of night
absurd angles

impossible to navigate


I never think I can

but I always
find my way.

Like a pigeon, released

driven by some coding
deep in my DNA

I’ve forsaken the riverside
the mammoth steel cranes

the sound of buzz saws, rivet-guns,

metal striking metal
—over time, making a man
lose his hearing

to return, to roost
here in the dawn lands
where abandoned gray houses
and weathered-wood barns
sink decade by decade
into the earth

—for it always
takes back its own


where white-spotted fawns

guarded by their mothers

step like totems from sun-dappled woods

swelling with cicada chorus 

—little living buzz saws
echoing, echoing in my blood
the generational song

—I don’t know
where else I belong.

Your Turn

Kim’s Poem

Ancestors Speak (inspired by Ada Limon’s Ancestors)

I’ve come here

from island and swamp

from Spanish Moss live oaks

from river and ocean

from marshland spartina

from cypress and mangrove

magnolia and black gum

Georgia roots running deep

all sunshine and black water

chaos and order

from hermit and hoarder

from ghosts that still speak

of lies that were spoken

of promises broken

of sermons not lived

the hard slap of truth

I don’t know

where else

I belong.

November’s Open Write – Day 1 of 5

Fran Haley and I are this week’s hosts of the November Open Write at http://www.ethicalela.com. Each month, this writing group gathers to write for five days. We rotate as hosts and participants, and we provide encouraging feedback to other writers. Come read and write some poetry with us! You can find the direct link here. You’ll meet fellow writers who become the kinds of friends who know you better than those you see in person.

Instructions on Being a Dragonfly – an Ada Limon-inspired Poem

Our Host

Kim Johnson, Ed.D., lives on a farm in Williamson, Georgia, where she serves as District Literacy Specialist for Pike County Schools. She enjoys writing, reading, traveling, camping, sipping coffee from souvenir mugs, and spending time with her husband and three rescue schnoodles with literary names – Boo Radley (TKAM), Fitz (F. Scott Fitzgerald), and Ollie (Mary Oliver).  You can follow her blog, Common Threads: Patchwork Prose and Verse, at www.kimhaynesjohnson.com

Inspiration 

As part of Sarah Donovan’s Healing Kind book club, Fran Haley and I will be facilitating a discussion of The Hurting Kind by Ada Limon in April to celebrate National Poetry Month.  Preparing for these conversations led us to choose several of Limon’s poems this week as inspirations of topic, form, or title.  In Instructions on Not Giving Up, Limon illustrates the glory of spring through an unfurling leaf as a tree takes on new greening after a harsh winter. 

Process

Use Limon’s poem as a theme or topic, form, or title (or combination of these) to inspire your own Instructions poem.  

Kim’s Poem

I’m reflecting on a moment I spent beside a lake watching dragonflies dart around chasing each other as my inspiration for today’s poem, borrowing a couple of starter lines from our U.S. Poet Laureate to drive my thinking about form.  The greening of Limon’s tree leaves and new growth reminded me of the color changing moltings that dragonflies undergo throughout their lives as they continuously evolve.  

Instructions on Becoming – By a Dragonfly

More than our enchantment of

children who would tie a

string around our tails

and fly us around like tethered balloons

It’s our upside-down flight 

More than our beauty for

those who study us and wear our image

on metal amulets as symbols of hope

It’s our mid-air shifts

More than our presence-promising prophecy

of dinner-rich fishing holes

It’s our multiple color-changing moltings

     that keep our gossamer wings shimmering

       our sunlit bodies glimmering

         as we keep on becoming 

dragonflies

Your turn.

Limon Buffett

I’ve been reading Ada Limon’s poetry lately, and with the death of Jimmy Buffet yesterday, I’ve been blending poetry and thought and music together in a grief vortex as I sit on my Labor Day campsite by the lake in Georgia. Limon’s poem “Anticipation” inspired my use of her format for today’s Buffet thoughts.

I Don’t Know

…. before the strawberry
Aguas Frescas,
before the dog fight
next door,
when the black dragonfly
flashed its gossamer
wings, preening 
in the sun 
teasing a mate,
I was 
humming Buffet,
lost in Margaritaville
~ ooh, Jolly Mon sing,
oooh, make Orion ring~
fins to the left,
   fins to the right,
wondering where 
I’m a gonna go
when the volcano
blows….

August Open Write: Nestlings with Gayle Sands

Gayle Sands is our host today for the second day of the August Open Write at www.ethicalela.com.  She brings us a challenge to write a nestling poem in the essence of Irene Latham.  You can read her full prompt here.  

I’m reading Ada Limon’s collection of books, and I chose Forgiveness from The Hurting Kind as my base poem.  If I were adding to a list of the things I would hold close forever, it’s Limon's poem. Here is mine, taken from hers:

Silent Water

dumb hearts
hurting each other
shadowy places
scars
bound to the blades
bound to outrun