Hummingbird Heartstrings

it's that same feeling
I get when
my children
and grandchildren
are about to leave
for home
four hours south

they're packing bags
loading their car
stripping beds
washing towels

double-checking 
for toothbrushes
under beds for  little things 
easily left behind
like tiny dinosaurs 
wayward doll shoes
lone socks

I dread 
the tail lights
heading down 
our driveway

those I love rolling away

this morning's
stirring
is not unlike 
this feeling~
already missing family
before they leave ~
as I watch 
my hummingbirds
remnants 
of a charm
heading south
on their long journey
for winter

no wee suitcases
no teeny toothbrushes
no sippy snacks for the road

but departing nonetheless
traveling lightly

I want to hug them
tell them to be safe

tell them I'll fix their favorite
nectar next spring
even weed the lantana

August Open Write with Ashlyn O’Rourke

Today at www.ethicalela.com for the final day of our August Open Write, our host Ashlyn O’Rourke of Oklahoma inspires us to write Self-Perception Concrete Poems to tell the story of a difference in who we know ourselves to be and how someone else perceives us. You can read Ashlyn’s full prompt here.

Strong

I tell the hard truth.
He asked for my opinion
then said I was wrong.

Can an opinion
be all wrong when it’s based on
long-observed patterns?

He thinks I’m too strong ~
but I don’t argue he’s wrong. 

My mother raised me.

August Open Write with Scott McCloskey

Today our host for August’s Open Write, Scott McCloskey of Michigan, encouraged us to write poems from the perspective of someone or something in any painting or its artist. You can read his full prompt here. I chose the Woodstock Festival. Since the photos are copyrighted, I can’t share the actual photo I chose, but it’s available at this link: https://artsandculture.google.com/story/AwUBOlaLnlGyLA

Once you get there, scroll down. It’s about the 14th picture in the collection. There is a woman playing a flute and a man playing a drum. There is a yellowish lab-type dog in the background, mixed in with all the people milling about. My poem is from the perspective of the drum player, clearly lost in the music and, if thinking anything, thinking to his own beat.

Ain't Nobody

Ain't nobody gonna steal my joy,
Ain't nobody gonna steal my song,
Ain't nobody gonna steal my beat,
Ain't nobody gonna steal my drum,
Ain't nobody gonna steal my groove,

Ain't nobody gonna steal my love,
Ain't nobody gonna steal my peace,
Ain't nobody gonna steal my shirt,
Ain't nobody gonna steal my dog,
Ain't nobody gonna steal nothin' of mine

'Cause I'm a sharin' man, 
Yeah, I'm a sharin', man.  

August Open Write with Wendy Everand

Wendy Everand is our host today for the August Open Write, and she inspires us to write odes to our favorite poets. You can read her full prompt here.

This brought to mind the first poet I ever knew. We lived next door to a retired school teacher in Reynolds, Georgia, and one day I got loose and barged into her house (no one locked their doors in that town back then)…..and the rest is history. After she died, two of her granddaughters compiled a collection of her poems, and I got a copy as a gift. I still believe that she pulled my poetry strings out and brushed them…..maybe even crocheted them.

Ode to Mabel G. Byrd (December 10, 1900-1/20/1987)

Mama Byrd’s poems
mainly quatrains
ABCB rhyme scheme
Crafting 4-line verse veins

Born in 1900, Taylor County
Little Sweet Georgia Peach
Died 1987, Taylor County
Lived her life to write and teach

I barged right in, in ‘69
(She was 69, I was 3)
I still remember visiting
Listening to poems at her knee

She went blind
But still knew color schemes
She’d crochet blankets as gifts for folks
In gilded yarns, bright blues, and creams

She still wrote, even blind
Poems were her favorite forms
And when I read her words today,
Time turns back, my heart warms

In 1987, I went for one last visit
Dad and I, next to her bedside
Told me she’d meet me at Heaven’s Gate
About a month before she died.

The very first poet I ever knew
Still speaks to me today
In rose gardens and peach blossoms
…..and in Granny Square crochet.  

August Open Write: Nestlings with Gayle Sands

Gayle Sands is our host today for the second day of the August Open Write at www.ethicalela.com.  She brings us a challenge to write a nestling poem in the essence of Irene Latham.  You can read her full prompt here.  

I’m reading Ada Limon’s collection of books, and I chose Forgiveness from The Hurting Kind as my base poem.  If I were adding to a list of the things I would hold close forever, it’s Limon's poem. Here is mine, taken from hers:

Silent Water

dumb hearts
hurting each other
shadowy places
scars
bound to the blades
bound to outrun

Welcome to the World, Noli Mae!


Today, our host at http://www.ethicalela.com for Day 1 of the August Open Write inspires us to write poems about hands. Denise Krebs of California is hosting today’s writing. You can read her full prompt here.

Welcoming Magnolia Mae

yesterday, these hands
gripped handlebars, holding on
for the ride with friends

yesterday, these hands
swaddled babies, bandaged knees
as children grew up

yesterday, these hands
stitched a quilt for a grandchild
I will meet today

for today, these hands
will build Legos and fairy
gardens first, and then…..

today, these hands will
swaddle a new granddaughter
in rosettes and sage

so that tomorrow,
these hands will be remembered
this heart full of love

Somebody’s Tsunami Laundry

somebody's little ripple is a drama tsunami
because somebody wrote their own life rules
and dictionary about how things are
(here's a hint: we know it's empty)

somebody's "close-knit family" endures Christmas
for a sock swap and all go home disturbed

somebody is rich, too,
richer than you, than I, than all of us,
with money in the bank to do big things
(here's another hint: we know they're undefined)
and somebody has tickets to cruise again soon
and would have gone last week except
somebody's pet squirrel died and 
somebody had to bury it and grieve a little

so we might want to tolerate somebody
and act all impressed

because somebody knows how to live

when clearly you don't, I don't, we don't.  

(But we know the truth.  See, we've done 
somebody's laundry
a time or two
so we don't pity that squirrel.)