Where Did you Come From?

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s question asks: Where did your family come from, and when? This question reminds me of the George Ella Lyon poem Where I’m From, and I’ll take that form today. I’m sharing the original by Lyon, and then I’ll follow with my own. You can read more about the roots of the idea here.

Where I’m From

I am from clothespins, 
from Clorox and carbon-tetrachloride. 
I am from the dirt under the back porch.
(Black, glistening, 
it tasted like beets.) 
I am from the forsythia bush
the Dutch elm
whose long-gone limbs I remember
as if they were my own. 

I’m from fudge and eyeglasses, 
          from Imogene and Alafair. 
I’m from the know-it-alls
          and the pass-it-ons, 
from Perk up! and Pipe down! 
I’m from He restoreth my soul
          with a cottonball lamb
          and ten verses I can say myself. 

I’m from Artemus and Billie’s Branch, 
fried corn and strong coffee. 
From the finger my grandfather lost 
          to the auger, 
the eye my father shut to keep his sight. 

Under my bed was a dress box
spilling old pictures, 
a sift of lost faces
to drift beneath my dreams. 
I am from those moments–
snapped before I budded —
leaf-fall from the family tree.

My chosen form is a rambling poem. I love the unexpected turns and the no-pause, no-punctuation stream of consciousness thinking in a rambling poem. Here is one that I wrote in 2024, with a few tweaks. My name, Kimberly, means Royal Fortress Meadow.

Royal Fortress Meadow 

I’m from the Royal Fortress Meadow 

from Breck shampoo and Johnson’s No More Tears 

from wispy locks of amber gold, windblown in the breeze

I’m from chain-woven crowns of wildflowers, dandelions, and daisies

from backlit sunlight exposing truth: there will never be no more tears

from churning butter in an antique churn 

I’m from ancestors of the lye soap cooked in the backyard

from the front porch swing and swigging Mason Jars of sweet tea 

from wash behind your ears and do a good tick check

from a don’t you slam that screen door one more time! flyswatter granny

who swatted more than flies

I’m from the country church of the cardboard funeral fans

with the off-key piano

I’m from Georgia, Cherokee blood three generation branches up-tree,

still searching for the bloodstained earth of my ancestors

from Silver Queen corn, husks shucked

from shady pecan groves and Vidalia onion fields

from Okefenokee swamplands and railroads

that side of the tree that tallied three pees before flushing

from clotheslines of fresh sheets teeming with sweet dreams

from sleeping under a box window fan in sweltering summer heat

from folks doing what they could to survive

Have You Enjoyed Life?

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. The prompt today is inspired by a question in Brother, I’m Dying asked by one of Edwidge Danticat’s brothers of his father after he tells his children he has a fatal disease. Goldberg asks us to answer that same question, honestly – to do an honest assessment.

I’ve chosen a shape poem today, also called a concrete poem since it takes the form of a tangible object or symbol shape. So here’s a lamp to shed a little truth on the answer to the question today.

Shedding Light On the Subject

I’ll answer

since you asked

I’ve enjoyed life, sure,

but I’m gonna squeeze out

the pulp and drink the dregs~

I’m ready

to retire

to travel

to linger over coffee

to wear comfortable shoes

I don’t want to slide into home

like a lot of people say they do

oh no, I want to be a little old

lady shuffling in with

hardly a breath left

You Need to Know This

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Begin the writing with “You Need to Know This” to complete today’s prompt.

Whenever we are anywhere and the Eagles ask that question in Take it to the Limit, we stop and nod. Yes, always.

They’re Singing Our Song

you need to know this:

if it all fell to pieces

tomorrow, I’d still

be yours, Eagles-style

taking it to the limit

my answer is yes.

What are you Waiting For?

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s prompt asks the question, “What are you Waiting For?”

Today I offer you a tricube. It’s three stanzas of three lines with 3 syllables.

Let’s Just Be Real

I’m waiting

to retire

next chapters

exciting

relaxing

traveling

reading books

in sweatpants

until noon

Don’t Ever Forget

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s prompt is to begin the writing with “Don’t ever forget,” and to return to that phrase if we get stuck.

An Old Desk

don’t ever forget

the importance of a pen

and old writing desk

the kind with a felt

writing surface and hidden

compartments above

to tell the secrets

of those who wrote before you

sitting in this space

from their own corner

of the world they knew, not much

different from yours

Body of Water

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s prompt is to tell about a body of water with which you are familiar. What comes to mind is the creek that ran through the back yard of our honeymoon house years ago.

Honeymoon Creek

its babbling trickle

from the top of the mountain ~

we watched for black bears

from our wraparound

porch with fireplace and rockers

sipping fresh coffee

~ always, it seems, I

wish we were living right there

in all the wonder

Open Write Day 2 of 3 September 2025

Today’s host at http://www.ethicalela.com’s Day 2 of the September Open Write is Allison Berryhill of Iowa. She teaches high school journalism and is a frequent host of amazing prompts in our writing group. Come read more about Allison and her full prompt here, as she inspires us to write a retelling poem.

I chose to rewrite my favorite childhood poem, Overheard on a Salt Marsh by Harold Monro, as a Shakespearean Sonnet, a fourteen-line poem written in iambic pentameter, where the rhyme scheme is ababcdcdefefgg, with ten syllables per line. Here is the original poem:

Overheard on a Saltmarsh

Nymph, nymph, what are your beads?

Green glass, goblin. Why do you stare at them?

Give them me.

No.

Give them me. Give them me.

No.

Then I will howl all night in the reeds,

Lie in the mud and howl for them.

Goblin, why do you love them so?

They are better than stars or water,

Better than voices of winds that sing,

Better than any man’s fair daughter,

Your green glass beads on a silver ring.

Hush, I stole them out of the moon.

Give me your beads, I want them.

No.

I will howl in the deep lagoon

For your green glass beads, I love them so.

Give them me. Give them.

No.

– Harold Monro (1879 – 1932)

***. ***. ***

Here is my Shakespearean Sonnet:

Nymphs Don’t Play

a goblin glumphed upon a marsh nymph fair

far through the pluff he’d glimpsed a glow of green

such beauty drew him to her, for to stare

pay homage to her globes he hoped to glean

nymph, nymph he glowered, sweetening his gaze

as moonlight cast a truth beam on intent

this young sylph, so accustomed to his ways

was not a stranger to his guileful glint

what are your beads that cast such radiant gleam?

they’re moonbeads, goblin, made of emerald glass

which thereupon his threat suddenly seemed

the type that beckoned kicking goblin ass

and so this marsh nymph, queen of her domain

unleashed unparalleled gonadic pain

-Kim Johnson

Open Write Day 1 of 3 September 2025 with Kelsey Bigelow

Today’s host of the first day of September’s Open Write at http://www.ethicalela.com is Kelsey Bigelow, who works as a mental health poet and renowned author of books, slam poetry events, and writing workshops in Iowa. You can read all about Kelsey and visit today’s prompt and poems here, as she inspires us to think about what lives on the “good side of memories.” Today’s writing is rooted in stream of consciousness writing that can live on in that form or be the start of one that takes root for another.

It’s All in the Kneading and Knowing

the happiest thing

I’ve ever tasted was that moment

when in my grief

soul-gutting tears in a

big-enough-for-all

walls of a VRBO

reverberating sniffles

and crumpled Kleenex

and happy laughs of

oblivious grandchildren playing

with their newest cousin

trying to teach him

to walk at six months

and believing he could

the strains of Amazing Grace

sung to a guitar

by the rest of us trying

to sing with the best of us

believing we could

as we all sat piled high

on the curved couch

pajama-clad, remembering

*******. ********

then one broke the silence

asking for a happier moment

in the autumn – another together

time when smiles returned

then another added

yeah, when

any of us can

make a word from tiles in

turntable Scrabble

and another added

yeah, and only if Mom

brings the pumpkin bread

and right then

in those delicate moments

I knew three things:

that I had taken the reins

as the newest family elder and

that tradition of togetherness

lives on in food tried first

as a flopped recipe

when they’re toddlers, then tested

again and again to perfection

by the time they’re teenagers

and can’t think of gatherings

without it and

that families too

are like that ~

learning to walk

learning to sing

learning to bake

learning to live on

believing

through all the tears and laughter

that together

we can

Music

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s inspires us to write about what kind of music we love and what is beauty for us.

Righteous

I’m officially old, I suppose,

but they don’t make music

like they used to

those voices, that harmonizing

that message in

(You’re My) Soul and Inspiration

is what the world needs

today to fix what’s broken

inside the heart

The September Open Write begins tomorrow at http://www.ethicalela.com, and I’d like to invite you to drop in and read the prompt and write a poem with us. You don’t have to post it to experience the soothing balm of poetry. No one even has to know you wrote it. It doesn’t have to be long, it doesn’t have to rhyme, it doesn’t even have to make sense to anyone else. It’s all about the habit of writing and having a daily routine of self-expression. The prompt will be posted at 5:00 a.m. Eastern Time, and there will be a process and an example. Come write with us! Kelsey Bigelow, Allison Berryhill, and Barb Edler will be our hosts for the next 3 days, inspiring us to get in touch with our inner voices.

Alone

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s prompt inspires us to write about where we feel most alone.

I feel most alone

in a thick crowd

silly, I’m sure it seems, but

the trees and birds

hold greater friendship

than a sea of ten thousand

faces without names