Nothing At All Happened Nonet

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s prompt: Begin the writing with “Nothing at all happened.” Or end it that way. I’ve chosen a Nonet and Reverse Nonet today, where each line 9-1 and 1-9 has that many syllables on it. I’ve also chosen a circular ending so that the same line that begins also ends the poem.

Nothing at all happened yesterday.

I did not drink any coffee.

I did not take a shower.

I didn’t brush my teeth,

did not take dogs out,

did not get up ~

stayed in bed

all day

long

but

then my

alarm rang

the day began

like any other,

coffee and shower

and toothbrush and leashes

the residue of a dream

hung thick in early morning air:

nothing at all happened yesterday?

Where Did you Come From?

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s question asks: Where did your family come from, and when? This question reminds me of the George Ella Lyon poem Where I’m From, and I’ll take that form today. I’m sharing the original by Lyon, and then I’ll follow with my own. You can read more about the roots of the idea here.

Where I’m From

I am from clothespins, 
from Clorox and carbon-tetrachloride. 
I am from the dirt under the back porch.
(Black, glistening, 
it tasted like beets.) 
I am from the forsythia bush
the Dutch elm
whose long-gone limbs I remember
as if they were my own. 

I’m from fudge and eyeglasses, 
          from Imogene and Alafair. 
I’m from the know-it-alls
          and the pass-it-ons, 
from Perk up! and Pipe down! 
I’m from He restoreth my soul
          with a cottonball lamb
          and ten verses I can say myself. 

I’m from Artemus and Billie’s Branch, 
fried corn and strong coffee. 
From the finger my grandfather lost 
          to the auger, 
the eye my father shut to keep his sight. 

Under my bed was a dress box
spilling old pictures, 
a sift of lost faces
to drift beneath my dreams. 
I am from those moments–
snapped before I budded —
leaf-fall from the family tree.

My chosen form is a rambling poem. I love the unexpected turns and the no-pause, no-punctuation stream of consciousness thinking in a rambling poem. Here is one that I wrote in 2024, with a few tweaks. My name, Kimberly, means Royal Fortress Meadow.

Royal Fortress Meadow 

I’m from the Royal Fortress Meadow 

from Breck shampoo and Johnson’s No More Tears 

from wispy locks of amber gold, windblown in the breeze

I’m from chain-woven crowns of wildflowers, dandelions, and daisies

from backlit sunlight exposing truth: there will never be no more tears

from churning butter in an antique churn 

I’m from ancestors of the lye soap cooked in the backyard

from the front porch swing and swigging Mason Jars of sweet tea 

from wash behind your ears and do a good tick check

from a don’t you slam that screen door one more time! flyswatter granny

who swatted more than flies

I’m from the country church of the cardboard funeral fans

with the off-key piano

I’m from Georgia, Cherokee blood three generation branches up-tree,

still searching for the bloodstained earth of my ancestors

from Silver Queen corn, husks shucked

from shady pecan groves and Vidalia onion fields

from Okefenokee swamplands and railroads

that side of the tree that tallied three pees before flushing

from clotheslines of fresh sheets teeming with sweet dreams

from sleeping under a box window fan in sweltering summer heat

from folks doing what they could to survive

Have You Enjoyed Life?

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. The prompt today is inspired by a question in Brother, I’m Dying asked by one of Edwidge Danticat’s brothers of his father after he tells his children he has a fatal disease. Goldberg asks us to answer that same question, honestly – to do an honest assessment.

I’ve chosen a shape poem today, also called a concrete poem since it takes the form of a tangible object or symbol shape. So here’s a lamp to shed a little truth on the answer to the question today.

Shedding Light On the Subject

I’ll answer

since you asked

I’ve enjoyed life, sure,

but I’m gonna squeeze out

the pulp and drink the dregs~

I’m ready

to retire

to travel

to linger over coffee

to wear comfortable shoes

I don’t want to slide into home

like a lot of people say they do

oh no, I want to be a little old

lady shuffling in with

hardly a breath left

You Need to Know This

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Begin the writing with “You Need to Know This” to complete today’s prompt.

Whenever we are anywhere and the Eagles ask that question in Take it to the Limit, we stop and nod. Yes, always.

They’re Singing Our Song

you need to know this:

if it all fell to pieces

tomorrow, I’d still

be yours, Eagles-style

taking it to the limit

my answer is yes.

Rutabagas

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s prompts asks us to tell everything we know about rutabagas and turnips and other vegetables, fruits, and objects often ignored.

A lot of people ignore mermaids, thinking they aren’t real. Let me tell you something: they are. There are tree spirits that explain the whole situation.

Mermaids Tricube

real mermaids

come ashore

in moonglow

ushering

sea turtle

wee hatchlings

to water ~

darkness-cloaked

protection

What are you Waiting For?

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s prompt asks the question, “What are you Waiting For?”

Today I offer you a tricube. It’s three stanzas of three lines with 3 syllables.

Let’s Just Be Real

I’m waiting

to retire

next chapters

exciting

relaxing

traveling

reading books

in sweatpants

until noon

Don’t Ever Forget

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s prompt is to begin the writing with “Don’t ever forget,” and to return to that phrase if we get stuck.

An Old Desk

don’t ever forget

the importance of a pen

and old writing desk

the kind with a felt

writing surface and hidden

compartments above

to tell the secrets

of those who wrote before you

sitting in this space

from their own corner

of the world they knew, not much

different from yours

Body of Water

This month, I continue writing posts from prompts in the Writing Down the Bones Card Deck by Natalie Goldberg, shared with me by my friend Barb Edler of Iowa. I’m continuing this month so that I can experience the entire deck of prompts. Today’s prompt is to tell about a body of water with which you are familiar. What comes to mind is the creek that ran through the back yard of our honeymoon house years ago.

Honeymoon Creek

its babbling trickle

from the top of the mountain ~

we watched for black bears

from our wraparound

porch with fireplace and rockers

sipping fresh coffee

~ always, it seems, I

wish we were living right there

in all the wonder

Open Write Day 3 of 3 September 2025

Today’s host for the last day of September’s Open Write at http://www.ethicalela.com is my friend Barb Edler of Iowa. Barb and I have collaborated on several writing projects together over the past decade, most recently our book entitled Assessing Students with Poetry Writing Across Content Areas: Humanizing Formative Assessment, published Taylor & Francis, a division of Routledge Press, released earlier this month. We write together the first Monday of each month in a small Zoom group and share what is happening in our lives. She’s the friend who shared with me the cards I’ve been using from Natalie Goldberg’s Writing Down the Bones. You can read her full prompt here today, as she inspires us to choose any text or piece of art and write about it. She models an extended Fibonacci Sequence poem form using syllable counts 1,1,2,3,5,8 forward and reverse and I’m doing the same today with the same poem I used yesterday to inspire my writing ~ Overheard on a Salt Marsh by Harold Monro. Hop on over to the prompt link later in the day to read the poems others have written!

What Marsh Nymphs Know

marsh

nymph’s

green glass

beads stolen

right out of the moon

attract the filthiest goblin

with more on his mind than those beads

but marsh nymphs know how

to handle

goblins ~

aim,

kick

Open Write Day 2 of 3 September 2025

Today’s host at http://www.ethicalela.com’s Day 2 of the September Open Write is Allison Berryhill of Iowa. She teaches high school journalism and is a frequent host of amazing prompts in our writing group. Come read more about Allison and her full prompt here, as she inspires us to write a retelling poem.

I chose to rewrite my favorite childhood poem, Overheard on a Salt Marsh by Harold Monro, as a Shakespearean Sonnet, a fourteen-line poem written in iambic pentameter, where the rhyme scheme is ababcdcdefefgg, with ten syllables per line. Here is the original poem:

Overheard on a Saltmarsh

Nymph, nymph, what are your beads?

Green glass, goblin. Why do you stare at them?

Give them me.

No.

Give them me. Give them me.

No.

Then I will howl all night in the reeds,

Lie in the mud and howl for them.

Goblin, why do you love them so?

They are better than stars or water,

Better than voices of winds that sing,

Better than any man’s fair daughter,

Your green glass beads on a silver ring.

Hush, I stole them out of the moon.

Give me your beads, I want them.

No.

I will howl in the deep lagoon

For your green glass beads, I love them so.

Give them me. Give them.

No.

– Harold Monro (1879 – 1932)

***. ***. ***

Here is my Shakespearean Sonnet:

Nymphs Don’t Play

a goblin glumphed upon a marsh nymph fair

far through the pluff he’d glimpsed a glow of green

such beauty drew him to her, for to stare

pay homage to her globes he hoped to glean

nymph, nymph he glowered, sweetening his gaze

as moonlight cast a truth beam on intent

this young sylph, so accustomed to his ways

was not a stranger to his guileful glint

what are your beads that cast such radiant gleam?

they’re moonbeads, goblin, made of emerald glass

which thereupon his threat suddenly seemed

the type that beckoned kicking goblin ass

and so this marsh nymph, queen of her domain

unleashed unparalleled gonadic pain

-Kim Johnson